Just as destroying myself in Freud-D'Leuze's death drive means the dissolution of the subject, I came to look back after my mother's
death, and as a result, produced the CHORA series. As memories of the time and space perceived by the subject accumulate, first of all,
I stack up the matiere of paints for days or months. Then, one day, I scratch the layers of the accumulated paint with a sharp tool,
so that'a layer of color on multiple layers, an accidental layer' is revealed. At this time, the invisible space ultimately revealed is
the space of the new self, “CHORA”. My method of work is to capture the “reminiscence from the memory system”, which Deleuze and Gatari
mentioned in the Thousand Plateaus, on the screen, and to free the oblique line from the layers of memories that have different periods
and levels that have been hardened. It can be interpreted as a formative attempt to say ". Rough expressions such as digs and scratches
that appear in the work are formative expressions for “destroying and killing “or” tamed by habit as empirical conditions of life that have
been habitually repeated until now. This is also an act of listening to the inner wave that attempts to build a new self after fragmenting
the memories of the world that have been accumulated within oneself.
